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STRATFORD, Conn.--Just about every one of us is vitally affected by politics and the powers attendant upon it. This was true in ancient times and has remained so ever since. To explore the matter for his Elizabethan audiences, Shakespeare drew on Roman history for his Titus Andronicus. Julius Caesar, Antony and Cleopatra, and Coriolanus...

Author: By Caldwell Titcomb, | Title: A 20th-Century 'Julius Caesar'... ...an 18th-Century 'Twelfth Night' | 7/17/1979 | See Source »

...scene in this production succeeds quite well, and also points up the disaster in the rest. When the Capulets discover Juliet apparently dead in her chamber, they explode in a satirical outpouring off grief that Shakespeare wrote to mock the traditional, over-formal conventions of Elizabethan tragedy. Mother and Father Capulet vie in the extravagance of their laments; lines like "life and these lips have long been separated" signal to the audience that this is farce, not tragedy. The cast at the Hasty Pudding conveys the full comedy of this scene. Unfortunately, the comic atmosphere lingers like an unwanted guest...

Author: By Scott A. Rosenberg, | Title: Wherefore Art? | 4/25/1979 | See Source »

...Stratford ventured to Elizabethan Boston Arena, he would have noticed an "untimely ripped" women's hockey, which strung Pyrrhic victories together, but, zounds, came up empty-handed...

Author: By Bill Scheft, | Title: Icewomen Lose Beanpot Consols, 4-1 | 3/19/1979 | See Source »

What becomes of this embarrassment of riches? A Buckingham Palace spokeswoman, noting that "the gifts are given to the Queen personally, just as she gives gifts personally," said that the jewelry might be worn by Elizabethan a suitable state occasion, such as a return visit by one of her hosts, and that the treasures might be put on display eventually. Some Londoners thought the Queen should auction off the baubles and give the proceeds to charity. After all, the Queen already has one of the world's most awesome collections of personal jewelry...

Author: /time Magazine | Title: BRITAIN: A Queen's Ransom for a Queen | 3/12/1979 | See Source »

Ancient Greece and Elizabethan England staked enduring claims on the minds and hearts of generations to come through the power of their dramatists. Whatever the glories of the U.S. musical, the chances are that the laurel wreaths of posterity will rest on the brows of dramatists whose stature equals that of Eugene O'Neill and Tennessee Williams. To foster potential successors to such playwrights is the worthiest of theatrical aims. Under the venturesome leadership of Jon Jory, that is precisely what Kentucky's Actors Theater of Louisville does...

Author: /time Magazine | Title: Theater: Third Running of the Derby | 3/5/1979 | See Source »

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