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...male will with female fruition. Aeschylus introduces the distrust of violence. Eventually, the gods will dissolve sufficiently so that the power of action gives way to that of moral perception. Battlefield gives place to City. The great transformation of the heroic from the Hiad to the Orestcia to the Elizabethan Renaissance, was from Fate to Law to Reason...

Author: By M. CHRIS Rochester, | Title: Antony and Cleopatra and Others | 5/7/1970 | See Source »

...fashion a text that would read well aloud; as a result, many passages now resound with a fresh, rolling cadence even more understandable than the R.S.V. or Jerusalem Bible. In the King James Version of Daniel, for instance, the fate of the wicked was almost lost in Elizabethan prose: when King Darius pulls the unharmed Daniel from the lions' pit and throws in Daniel's accusers instead, the King James Version reports dryly: "The lions had the mastery of them, and brake all their bones in pieces or ever they came at the bottom...

Author: /time Magazine | Title: Religion: The New English Bible: Back to Beginnings | 3/23/1970 | See Source »

...task by some of the Anglican clergy for interfering in Catholic affairs. Said the Dean of Prescot at Lancashire: "The recollection and commemoration of men and women who died for genuine religious convictions will hearten not only Catholics but many others." Oxford's A. L. Rowse, a leading Elizabethan scholar and a "nonsectarian rationalist." put forward historical arguments against canonization. "The fact is," he said, "that by its bull of 1570, the papacy declared war on Elizabeth I, not only by excommunicating her but deposing her, enjoining upon Catholics the duty of opposing her by every means...

Author: /time Magazine | Title: Religion: Furor over Forty | 1/19/1970 | See Source »

...purity of Plato's androgynous idea that love is a spiritual passion for the whole, and that the soul-which is on the lips when kissing-seeks union with the light of perfect truth. At the other extreme are the worldly 16th century Italian, French and Elizabethan poets who jocosely dealt in sexual double entendres that poked fun at speculation upon mystical union through the lips...

Author: /time Magazine | Title: Books: Lip Service | 12/26/1969 | See Source »

...what took hamlet so long in acting to avenge his dead father? Among the theories advanced are that Hamlet was fat, and consequently moved slowly in doing anything; that Hamlet hand an Oedipal relationship with his mother and therefore blamed himself for his father's death; and finally, an Elizabethan determinist interpretation that Hamlet's humours mixed in such a way that he was always by nature melancholy and lethargic. There is also a Marxist interpretation, contrived, I guess, by some lonely Russian critic with nothing better...

Author: By David R. Ignatius, | Title: The Theatregoer Hamlet | 12/13/1969 | See Source »

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