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Word: ellington (lookup in dictionary) (lookup stats)
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...Duke's sound trademarks. Other tunes lay fallow in the band's books until somebody set words to them and they caught on, e.g., Never No Lament (Don't Get Around Much Any More), Concerto for Cootie (Do Nothin' 'Til You Hear from Me). Ellington is accustomed to hearing his ideas unexpectedly used by other songwriters, and is resigned...

Author: /time Magazine | Title: Music: Mood Indigo & Beyond | 8/20/1956 | See Source »

Counting Chicks. Duke's fertile mind continued to turn out songs, even when there were no recording deadlines to meet. The band could now play a week's worth of dances and never repeat itself or play any composer except Ellington. During the early years, Ellington found that one hit tune a year was enough to keep the band popular. What kind of music did he think he was writing? Mostly, he thinks it was folk music. In any case, he says, his songs are "all about women," and almost any one who listens receptively will agree. Duke...

Author: /time Magazine | Title: Music: Mood Indigo & Beyond | 8/20/1956 | See Source »

...Musician Ellington and Manager Mills agreed to go separate ways (Mills has since become a successful music publisher). One of Duke's subsequent adventures was Jump for Joy, which he wrote and produced with a group of Hollywood artists. It was a revue designed to fight Uncle Tomism in the entertainment world, and the show folded after twelve weeks of backstage wrangling. As usual, Duke had written for his own band, and the band was in the pit. "We stayed out there for a while, just barely keeping our heads above water," he says. "But there were not enough...

Author: /time Magazine | Title: Music: Mood Indigo & Beyond | 8/20/1956 | See Source »

...which Edward Kennedy Ellington replies: "We're not worried about writing for posterity. We just want it to sound good right...

Author: /time Magazine | Title: Music: Mood Indigo & Beyond | 8/20/1956 | See Source »

...London Daily Express, advocating colored colonial Members of Parliament, Press Lord Beaverbrook took Ellington as a fine example of his race, described him as "a genius of Negro music. He sat by the side of his host, modest, dignified, delighting all the company with his gay mind and splendid bearing...

Author: /time Magazine | Title: Music: Mood Indigo & Beyond | 8/20/1956 | See Source »

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