Word: ellingtoniana
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Dates: during 1960-1960
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...piece itself proved to be considerably less intriguing than the titles. Typical Ellingtoniana, when he tries for concert length, it called for extensive improvisation by the band, was liberally laced with the subtle tone colors, the shifting moods that Ellington too often uses as a substitute for invention. High point was a lovely, fluid violin solo by Ray Nance that brought cries of "No, no!" from an audience that did not want it to end. Said Ellington in explanation of one part of his piece: "It has not only to do with changing of the colors and the octopi...
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