Word: elliot
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...advertising, shamelessly painted a false picture of Europe so as not to lose it. It applauded Mussolini's rape of Ethiopia, turned its back on Hitler's invasion of Austria to editorialize on mothers-in-law. But the paper always had a smattering of good newsmen, e.g., Elliot Paul, Eric Sevareid, CBS Newscaster Ned Calmer, all of whom apprenticed there. And when a veteran staffer, Eric Hawkins, was appointed managing editor in 1925, the Paris 'Trib began to take new direction...
Dean McGeorge Bundy announced the appointment of three social psychologists to the Harvard faculty, last Friday. Elliot Aronson, who received his Ph.D. from Stanford this spring, will be a Lecturer of Social Psychology, Richard D. Mann, Jr., an instructor at University of Michigan, will be Assistant Professor of Social Psychology, and John Trevor Pierce, now an instructor at Harvard, becomes a Lecturer on Social Psychology...
...Died. Elliot Ettelson Cohen. 60, editor of the monthly Commentary since its founding in 1945; by suffocation (a plastic bag over his head); in Manhattan. Though he addressed his magazine to a Jewish audience and filled it with Jewish lore and scholarship, Cohen included political and cultural articles of such vitality and penetration that he won a broad, loyal readership...
Other pieces in the magazine are by Elinor Hughes, who is Boston's own Hedda Hopper, Elliot Norton of Hearst's Daily Record, William Van-Lennep, Joel Henning, and the editors. The latter's attack on CRIMSON drama criticism fails to slay a dragon that is probably much easier prey than The Advocate, unaccountably, estimates. Apart from its misrepresentation and misquotation, the essay is inoffensive to the Plympton Street conscience. It is more offensive to the community conscience, however, for it warns people not to believe everything they read in the papers. Not even newspapermen ask readers to do that...
Friday night's performance by the Harvard Glee Club and Radcliffe Choral Society, led by Elliot Forbes, surmounted the considerable technical difficulties of the work, but threatened to break upon the Scylla of a capella singing, intonation. The intra-chorus work was satisfactory, with the exception of several bewildering opening bars of various sections; but as each part went on, the chorus, depressed by a rather cowardly soprano section, sank lower and lower, and at the end of the second movement was grovelling around a third lower than was written, producing the weird impression of a record being played...