Word: elliott
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Dates: during 1970-1979
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...said the second. "I'm not Elliott Gould...
...Well," admitted the second man, "I guess I could be Elliott Gould...
PRECISELY. The real Elliott Gould was elsewhere that evening, but the two anxious urbanites were going through just the sort of encounter that Gould has faced in the burst of films ?from Bob & Carol & Ted & Alice to this summer's Getting Straight and Move?that have raised him to stardom in less than a year. There were even elements of this mood in M*A*S*H, the battlefront comedy that has become the most talked-about movie of 1970. Gould always seems to be caught up in social ?and sexual?tension. He embodies an inner need...
...about working with Bergman. "When he's on the set, Gould thinks every director is Fellini. When the picture is finished, he's already David Lean. But by the time it's released, he's Mervyn Le Roy. Let's face it," he says in joking anticipation. "One day Elliott's going to say that Bergman's a jerk...
...still be on constant view in his U.S. films, enduring the endless comic agonies of contemporary American life. That will further reinforce the prevailing impression that he is the star of every sixth movie made in the U.S. If that is a slight exaggeration, then so, just now, is Elliott Gould...