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NONFICTION: The Correspondence of Boris Pasternak and Olga Freidenberg, edited by Elliott Mossman ∙ Going to the Dance, Arlene Croce ∙ Killing of Bonnie Garland, Willard Gaylin Love, Eleanor, Joseph P. Lash Midnights, Alec Wilkinson ∙ The Red Smith Reader, edited by Dave Anderson

Author: /time Magazine | Title: Books: Editors' Choice: Aug. 16, 1982 | 8/16/1982 | See Source »

...CORRESPONDENCE OF BORIS PASTERNAK AND OLGA FREIDENBERG 1910-1954 Edited by Elliott Mossman Harcourt Brace Jovanovich 365 pages...

Author: /time Magazine | Title: Books: Blood Relatives | 8/9/1982 | See Source »

...Lara." Last year there appeared a splendid biography of Pasternak by Guy de Mallac, the first in any language. Now comes an intriguing volume of letters by Pasternak and Olga Freidenberg, lovingly edited and annotated by Elliott Mossman...

Author: /time Magazine | Title: Books: Blood Relatives | 8/9/1982 | See Source »

...message in Steven Spielberg's E.T. is similar, but hardly as pessimistic, The main characters in this film are not merely likeable; they're irresistible. The relationship between the boy, Elliott (Henry Thomas), and his extraterrestrial friend is so real that we almost forget that E.T. is a mechanical creature. Spielberg draws our attention away from the technological wizardry and toward the human side of the story, toward the very simple themes of love and friendship...

Author: By Lewis J. Desimone, | Title: Serious Science Fiction | 7/30/1982 | See Source »

...creature. In the opening sequence, they are filmed from a child's perspective, so that their heads are out of the camera's range. They become more foreign to the audience than the spaceman himself. They are the enemy because they represent a complete lack of subjective feeling. To Elliott, E.T. is a friend--a cross between a pet and a bosom buddy; to them, he is merely a subject for scrutiny...

Author: By Lewis J. Desimone, | Title: Serious Science Fiction | 7/30/1982 | See Source »

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