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Word: elliott (lookup in dictionary) (lookup stats)
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...they sounded any more bummed, they’d only be good for salving broken hearts. Mojave 3 sound like Elliott Smith might if he had been dumped by his girlfriend somewhere below the Bible belt—swoony folk with a country bent. Yet despite the relentless heartache of their lyrics, Spoon and Rafter is an undercover upbeat album, suffused with an insistent gleam of sunshine...

Author: NO WRITER ATTRIBUTED | Title: New Music | 10/3/2003 | See Source »

GLOBAL AGENDA: Michael Elliott speaks up for France...

Author: /time Magazine | Title: Table of Contents: Sep. 29, 2003 | 9/29/2003 | See Source »

Spin-off industries are also blossoming, such as Liza Elliott-Ramirez's Expecting Models, founded in July 2001. "When I started modeling 20 years ago, pregnancy was something you hid," she says. "But when I was pregnant [in 2000], I never worked so much." Business has quadrupled since the agency opened, and some of the 100 pregnant models on Elliott-Ramirez's books command as much as $10,000 a day. "It's a huge and booming market," she says. "There are new vendors every day, as they realize pregnant women are consumers who want to look good...

Author: /time Magazine | Title: Expect the Best | 9/1/2003 | See Source »

...goal, apart from satisfying their aesthetic impulses, is to lure your credit card out of your wallet. The art of these dream merchants is ultimately graded against the bottom line, and the high cost of their productions reflects the extravagant returns at stake. One 30-second spot of Missy Elliott and Madonna for the Gap required 400 hands (including those of a Kabbalah teacher). A 20-page fashion story for Vogue can demand five days of scouting, four models, three assistants, 200 rolls of film and a six-figure budget. Several million dollars goes into the development...

Author: /time Magazine | Title: The Business Of Imagemaking | 8/28/2003 | See Source »

Never mind that he reportedly bagged Madonna for a cool $10 million to hawk Gap corduroys while singing a remix of Get Into the Groove with Missy Elliott. That's all just in a day's work for imagemaker Trey Laird. The real story is that Laird's creative vision--always making an emotional connection to the consumer--has put the Gap back in the black...

Author: /time Magazine | Title: 1. Trey Laird | 8/28/2003 | See Source »

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