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...Mood, a movie distinct from other movies but nonetheless worthless, takes place in 1944 and tells the story of Ellsworth "Sonny" Wisecarver, a youth who was too young to be kicking Nazi butt during that gloriously simple timne, so did the next best thing: ran away with an older woman. Two, in fact--one played by Beverly D'Angelo and the other by Talia Balsam...

Author: By Emil E. Parker, | Title: In The Goo | 10/9/1987 | See Source »

...marshaling facts. But she can be wounded by a stray remark. When told that a Democratic political consultant had joked, "At least no one can say she quit while she was ahead," Dole grew silent, wide-eyed and quietly hurt. "She takes her job very seriously," notes Robert Ellsworth, a longtime friend and her husband's campaign chairman. "It's very important...

Author: /time Magazine | Title: Secretary Dole, Meet Mrs. Dole | 9/21/1987 | See Source »

...that you are not the rapist." Alice Kirkland, president of the local chapter of the N.A.A.C.P., said her group would not oppose anyone who wanted to volunteer prints, adding, "We've had no complaints from the residents so far." One of two black officers on Kelly's force, Sergeant Ellsworth Ford, a 13-year veteran, has been behind the drive so warmly he has given his recent days...

Author: /time Magazine | Title: Trying To Trace a Rapist | 9/14/1987 | See Source »

Connecticut offered Sherman's compromise a second time and a third. The Madison forces refused to budge. Madison gibed at Connecticut for tax evasion: "Has she paid, for the last two years, any money into the Continental Treasury?" Oliver Ellsworth angrily retorted, "Connecticut had more troops in the field than even the state of Virginia . . . We feel the effects of it even to this day." Pennsylvania's Wilson fretfully asked why the small states persisted in their suspicions of the large ones. Gunning Bedford of Delaware provided a sharp answer: "I do not, gentlemen, trust...

Author: /time Magazine | Title: Also In This Issue: Jul. 6, 1987 | 7/6/1987 | See Source »

...show, one has been given rather too much. A wearying amount of second-rate work from the '50s and '60s has been included for its imagery alone, and much of it is Kosmic Komix decor. Some artists, like Ellsworth Kelly, come out looking like resolute materialists whose pared-down insistence on the autonomy of formal means suggests no "spiritual" aspect (as defined by the earlier parts of the show) at all. But this is a brave curatorial labor all the same, a stimulating and important move in the general rereading of modern art that is so much a part...

Author: /time Magazine | Title: Art: Pyramid | 1/12/1987 | See Source »

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