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Word: elton (lookup in dictionary) (lookup stats)
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...BANDS OF SUMMER BRUCE SPRINGSTEEN -- GENESIS -- GRATEFUL DEAD -- BONO OF U2 -- ERIC CLAPTON & ELTON JOHN -- METALLICA & AXL ROSE OF GUNS N' ROSES -- HAMMER & HIS ENTOURAGE -- LOLLAPALOOZA '92 WITH RED HOT CHILI PEPPERS -- ICE CUBE -- THE JESUS AND MARY CHAIN -- PEARL JAM & MORE Touring shows are booming again, as superstars hit the road with performances in which the sounds are enhanced -- and sometimes swamped -- by high-tech, multimillion-dollar special effects and gimmicks, from floating autos to body piercing...

Author: /time Magazine | Title: Music: The Bands of Summer | 8/3/1992 | See Source »

...black-laced shoe with a prow toe shaped like a rhino's horn, work as sculpture if not as footwear. One wedged shoe made in 1938 is a kind of psychedelic homage to the raised Venetian chopines of the 17th century; it could easily have been worn by Elton John in concert...

Author: /time Magazine | Title: The Shoes of the Master | 5/4/1992 | See Source »

...familiar slogan. By last spring, creative director Tony DeGregorio and his staff had settled on a new theme for Diet Coke: "There's just one." What they needed was advertising to go with it. By summer, Lintas got the go-ahead from client Coca-Cola for a spot featuring Elton John performing before an audience sprinkled with the actual images of famous Golden Age movie stars, courtesy of the latest in special effects...

Author: /time Magazine | Title: Marketing Ghosts in the Commercial | 12/23/1991 | See Source »

DeGregorio's staff sat through more than 100 American films, looking for a few seconds of classic footage that could blend into the new Elton John material. The script for "Nightclub" was fashioned around the final choices: Bogie in All Through the Night (1942), Satchmo in High Society (1956) and Cagney in snippets from Public Enemy (1931) and The Roaring Twenties (1939). Director Steve Horn shot the Elton John nightclub footage with the same lenses used during the classic film period, but with live stand-ins for Cagney and company. The footage was taken to R. Greenberg Associates, who edited...

Author: /time Magazine | Title: Marketing Ghosts in the Commercial | 12/23/1991 | See Source »

...colorized frame by frame to match the hues of the fresh footage. In the stunning final product, Bogart wanders among the nightclub clientele, exchanging greetings with a patron probably not even born when Bogie died in 1957. Louis Armstrong blows away on his trumpet, sharing a knowing glance with Elton John...

Author: /time Magazine | Title: Marketing Ghosts in the Commercial | 12/23/1991 | See Source »

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