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...engaged" jazz that is a strong and sharply protesting comment on the Negro in America-his sound is a shriek, a cry, a noise from the streets. Here, with six of his own compositions, his message is as unmistakable as a punch in the stomach. On drums is Elvin Jones, whose cruel talent it is to force from other musicians more music than they know is hidden in their horns...

Author: /time Magazine | Title: Best Reading: Nov. 1, 1963 | 11/1/1963 | See Source »

...more satisfying freedom. Coleman and Guiffre both now play atonal jazz, and Miles Davis defected with his discovery of the "interlude," a four-or eight-bar figure laced into a song between phrases. Davis sometimes plays one dominant chord throughout a 16-bar interlude, making only rhythmic variations. Elvin Jones, the most richly inventive of the modern drummers, plays highly abstract polyrhythms that leave the old eight-to-the-bar style of jazz drumming far behind...

Author: /time Magazine | Title: Jazz: The Juilliard Blues | 4/19/1963 | See Source »

...Jones brothers. And he still prefers playing with his old townsmen, who now form something like a private labor union inside modern jazz. Hank Jones remains his idea of a really good pianist, and for the trio he hopes to form eventually, he would like Hank's brother Elvin on drums and Detroit's Major Holley on bass...

Author: /time Magazine | Title: Music: Modesty's Rewards | 1/11/1963 | See Source »

...LEWIS ELVIN Arlington...

Author: /time Magazine | Title: Letters, Jan. 13, 1958 | 1/13/1958 | See Source »

...than either plot or music, for it was further indication that she is the heiress presumptive to Margot Fonteyn as the company's prima ballerina. Born in Lithuania, Svetlana trained in New York and Paris, joined Sadler's Wells in 1950. With the retirement of Dancer Violetta Elvin (to marry for the third time), Beriosova stepped into more and more of Fonteyn's roles. More enthusiastically than ever, the critics applauded her lithe, leggy build, her cool, fluid movements, which are reminiscent of the early Fonteyn's. Although the restrictions of Pagodas' choreography gave...

Author: /time Magazine | Title: Music: Heiress Presumptive | 1/14/1957 | See Source »

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