Word: elvira
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Dates: during 1970-1979
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...other roles run from the accomplished but not overdone leporello of Jose van Dam to Kenneth Riegel's wooden Don Ottavio. Among the women, Kiri Te Knawa's Donna Elvira stands out as the most musically agile and dramatically subtle. Edda Moser afflicts Donna Anna with an unfocused voice and the worst of operatic mannerisms--especially ludicrous with instant translation in English subtitles. She shrieks and sways--the subtitle reads, "I'm fainting." She shrieks once again and staggers to embrace a marble column--"I'm dying...
...noblewoman, Donna Anna, he duels with her father, the Commendatore, and kills him. Then, while the Don busies himself mostly with trying to seduce the peasant girl Zerlina, Donna Anna joins forces with her fiancé Don Ottavio and another of the Don's conquests, Donna Elvira, to hound him through a series of comic entanglements, disguises and escapes. When a statue of the slain Commendatore comes to life and challenges the Don, he defiantly invites the statue to supper. Threatened with damnation, he remains unrepentant and true to his nature, thus taking on a perverse grandeur...
...engaging Leporello is scarcely allowed to become the buffo scalawag that Mozart and Da Ponte had in mind. Edda Moser as Donna Anna, Teresa Berganza as Zerlina, Kenneth Riegel as Don Ottavio, all throw themselves into their roles with intensity, but only the exotic Kiri Te Kanawa, as Donna Elvira, manages to shake off some of Losey's heavy seriousness. Missing are the wit and verve, the "elate darting rhythms" with which Shaw said Mozart conveyed the spirit of the work. Here the music is not as much help as it might be, since Lorin Maazel conducts it with...
...Elvira "Pixie" Palladino, a leading foe of forced busing who lost her school board seat in the last election, appeared to have regained her slot, piling up more than 50,000 votes...
Three Women. At Harvard Square, Thrusday at 12:30, 4:10 and 7:55. With Elvira Madigan...