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In these satellite attractions, kitsch battles ferociously with schlock, and the two styles often end up married. Kitsch: Medieval Times, a dinner theater that combines the art of knightly jousting with the bloodlust of pro wrestling. As the Red Knight attacks Blue with his mace and Blue responds with his...

Author: /time Magazine | Title: Living: If Heaven Ain't a Lot Like Disney Theme Parks | 6/16/1986 | See Source »

The problem is their earnestness in pursuit of pop. More interesting and significant was the neo-Dada embrace of pop by artists and independent intellectuals of the 1950s and early '60s. Their approach was off-center, cool in every sense. In Andy Warhol's first shows, in 1962, he exhibited...

Author: /time Magazine | Title: Pop Goes the Culture | 6/16/1986 | See Source »

Over there, the hierarchies of entertainment still closely corresponded to the more rigid hierarchies of social station. Caught between postwar exhaustion and a tradition of hard-line cultural formalism, young Europeans were a cinch to be enthralled by the out-front vitality of Elvis Presley and James Dean, Marilyn Monroe...

Author: /time Magazine | Title: Pop Goes the Culture | 6/16/1986 | See Source »

Each foreign transformation of American pop can be a small anthropological revelation. In New Delhi, the imitation McDonald's sell muttonburgers, while at Free Time, a Paris chain, the big beef pattie comes on baguette-shaped buns -- le longburger. A 15-year-old Indian schoolgirl had a hit record called...

Author: /time Magazine | Title: Pop Goes the Culture | 6/16/1986 | See Source »

That kind of tutti-frutti exchange is invigorating. Now, however, pop has started feeding off itself in remarkable new ways. Sometimes the self- references are just lazy or parochial. On situation comedies, characters make jokes about other situation comedies. In Stephen King's fiction, a character in a quandary "thought...

Author: /time Magazine | Title: Pop Goes the Culture | 6/16/1986 | See Source »

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