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Word: elvises (lookup in dictionary) (lookup stats)
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Formerly, Costello had a female antagonist worthy of sparring; "Two Little Hitlers" defined relationships as an unending series of one-upmanships and clashes, a dance of death with each power in turn vowing to return. Here, his sometime partner, presumably aging Playboy centerfold and intercontinental pleasure-kitten Bebe Buell, is...

Author: By D. BRUCE Edelstein, | Title: Abyss and Costello | 4/7/1980 | See Source »

This is the greatness of Elvis Costello--despite the slurred, flat, off-speed, exhausted delivery, we can hear him. The signal is fuzzy; the aim is true.

Author: By D. BRUCE Edelstein, | Title: Abyss and Costello | 4/7/1980 | See Source »

Following Elvis's ballad of betrayal, "Motel Matches," comes one of the album's most thrilling songs, "The Human Touch." Elvis seems trapped in a bizarre reggaed polka, dreadlocks and kielbasa, an "industrial squeeze" that "looks like a luxury,/Feels like a disease." This is Modern Man bombarded by machines...

Author: By D. BRUCE Edelstein, | Title: Abyss and Costello | 4/7/1980 | See Source »

In the first three albums, Elvis didn't let go too much; he was beyond disgust, he claimed, he was only amused, it was safer to sneer than sob. Perhaps sensing his emotional limitations, Elvis recorded "Big Tears" on a single last year, in which he accused his partner of...

Author: By D. BRUCE Edelstein, | Title: Abyss and Costello | 4/7/1980 | See Source »

No one could look upon Elvis Costello's vision as anything but limited. But few would look for a comprehensive overview in August Strindberg, either. Immature and oversensitive, Elvis dehumanizes to keep from being dehumanized; he gives us nothing less than the genesis of evil. What we have in the...

Author: By D. BRUCE Edelstein, | Title: Abyss and Costello | 4/7/1980 | See Source »

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