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The ad line for "30 #1 Hits" reads: "Before anybody did anything, Elvis did everything." He certainly knew his job - all of them. He was also a fine instinctive musician, a fast study with a gift for synthesizing what he'd heard into his own style. "He sucked up influences...

Author: /time Magazine | Title: That Old Feeling: Happy Birthday, Elvis | 1/8/2003 | See Source »

A raw recruit when he entered the Sun Records studio in Memphis in late 1954, Elvis learned enough so that, when he joined RCA, he was soon the de facto producer of his own sessions. Steve Sholes was RCA's A&R representative, but, as Phillips insisted to Guralnick: "He...

Author: /time Magazine | Title: That Old Feeling: Happy Birthday, Elvis | 1/8/2003 | See Source »

He was there to sing, of course, though he played a vigorous rhythm guitar, ceding the fancy solos to Scotty Moore. But on one 1957 session, when slap-bassist Bill Black walked out in frustration after being unable to master the rumbling electric-bass intro for the Leiber-Stoller "Baby...

Author: /time Magazine | Title: That Old Feeling: Happy Birthday, Elvis | 1/8/2003 | See Source »

ELVIS AND BRANDO

Author: /time Magazine | Title: That Old Feeling: Happy Birthday, Elvis | 1/8/2003 | See Source »

Elvis had wanted to be James Dean; he saw Dean's signature movie, which he called "Rebel Without a Pebble," a dozen times. He was touched by Dean's sensitivity, stricken by Dean's early death (in September 1955, about the time Parker bought Elvis' contract from Phillips). In fact...

Author: /time Magazine | Title: That Old Feeling: Happy Birthday, Elvis | 1/8/2003 | See Source »

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