Word: emailing
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...interpretatively outdone, John P. Marquand Professor of English Peter Sacks noted in an email that “there’s clearly an impressive and exuberant sensibility at work in the texture, verbal energy” in the lyrics to “Float.” He particularly admired Aesop’s impressive “range of allusion,” with its “blend of desperation and exhilaration, free play and constrained need—e.g., to float rather than drown...
...That painting is so wide,” Babb writes in an email. “It’s twenty feet wide, and when you’re passing by from the left it looks one way, from the right, another way. That painting has a perspective on it; as you walk through the lobby, the painting shifts with you. You sort of have to move through it as you walk past...
...interpretatively outdone, John P. Marquand Professor of English Peter Sacks noted in an email that “there’s clearly an impressive and exuberant sensibility at work in the texture, verbal energy” in the lyrics to “Float.” He particularly admired Aesop’s impressive “range of allusion,” with its “blend of desperation and exhilaration, free play and constrained need—e.g., to float rather than drown...
...neither a readaptation nor a strict retelling of the original script, but a synthesis of the old and new. “I believe that your first priority is to establish communication between a text and an audience,” Fox wrote in an email, adding, “Actually, I tend to believe that ‘period’ Shakespeare alienates an audience from the essential part of the play...
...good walk-up should just be something in the background,” he wrote me by email, “that allows you to relax at the plate, or get pumped up, or give you confidence...