Search Details

Word: emblems (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...hardly simple. A 16th century court painter was expected to turn out anything and everything, from ceremonial portraits to painted coach panels, from large allegorical paintings to banners for tourneys, costumes for masques, sets for the theater (which Alfonso delighted in) and perhaps the occasional crucifix or emblem of chastity for the ducal mistress's bedroom. Dosso had to second-guess the veering tastes of his boss--flatter him, keep him interested. And then there were the courtiers to deal with...

Author: /time Magazine | Title: Art: Puzzles of A Courtier | 2/1/1999 | See Source »

...description seemed easy enough, even for a 23-year-old with no journalistic experience and a limited vocabulary. All you had to do was show up on time to banter with the other hosts and make sure the network emblem plastered on your coffee mug was visible to the camera when you drank from it. But last week DEBBIE MATENOPOULOS lost her regular cushion on the couch of The View, the ABC talk show hosted by Barbara Walters and four other women of varying ages. As an unknown MTV production assistant, Matenopoulos was chosen for the show to represent youth...

Author: /time Magazine | Title: People: Jan. 18, 1999 | 1/18/1999 | See Source »

There is this consistent emblem in Ackroyd's More and Milton and Blake: London is the pivot into eternity. More's city, piously Catholic, fades into Camelot-like legend, shunned yet desired by Milton, who cannot regain it, all his monumental words raising only a pandemonium finally becalmed by Blake, who walks its shadows to find the city become Jerusalem. All three men were Londoners--as is Ackroyd. "It's always been ugly, a vandalized city," the novelist and biographer said recently. "But I hope it stays that way because that's its nature." His next book, he says, will...

Author: /time Magazine | Title: History: A Man for More Seasons | 12/7/1998 | See Source »

...Elizabeth. When the film thrusts the young thing into a den of wolves as savage and wily as the Mafia barons of The Godfather or the Japanese businessmen of Rising Sun, it wrings its hands somewhat too emphatically at Elizabeth's shrewd, momentous steps to transfigure herself into an emblem to lead her country. If Elizabeth's mutation into the Virgin Queen is the death of her womanhood, and happiness, as the film asserts, her sexuality--that which she renounces to rule the nation--ought to seem a little more respectable...

Author: By Jared S. White, CRIMSON STAFF WRITER | Title: Before She Was a Virgin: The New Elizabeth | 12/4/1998 | See Source »

...fairy painter, Charles Altamont Doyle, who died mad, but the creator of Sherlock Holmes was so gullible himself that as late as 1917 he defended some fake photos of fairies made by an enterprising pair of teenage English schoolgirls. You'd almost suppose that the national emblem of England was neither the lion nor the unicorn nor even John Bull, but the fairy...

Author: /time Magazine | Title: Art: Flittering in the Dells | 11/23/1998 | See Source »

Previous | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | Next