Word: emerson
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Dates: during 1970-1979
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...Baptist Church in Richardson, Texas, a former homiletics teacher, notes that even then folks found fault with the state of the pulpit. "Where are the good preachers?" asks Fant. "Right where they've always been -few and far between." By most accounts, the 20th century giant was Harry Emerson Fosdick, who died...
...time is ripe for unionism, activism, yes, even democratic socialism," Victor G. Reuther, a former United Auto Workers (UAW) official and a supporter of the Democratic Agenda, told a small audience in Emerson Hall...
...uneven, improving considerably from the first act to the second. When he first meets Lulu in the opening of the play, McCue relies too much on a series of mannerisms--rising on his toes, rubbing his hands, pacing around briskly--that distract attention from his passionate words. Japes Emerson turns in a sporadic performance, though he is cursed with the worst, most heavily edited part of the play. The cuts render his part almost unbelievable, and thus his characterization moves from dilletante to lover to weakling...
...play flashes into lucidity every now and then when Japes Emerson's Benedick and Anne Beresford Clarke's Beatrice parry each other's verbal thrusts. Clarke assumes the stage with an assurance other performers whose roles had been mangled could not afford. Her voice is not large or overpowering; instead of ringing out, it pierces and slices--but that's an effective sound for this razor-tongued heroine. Emerson's Benedick is youthful and athletic, but not terribly well-defined; Shakespeare suggests he ought to be something of an eccentric...
...Bowie and Eno are the only artists to use electronics in an imaginative, fertile way for music we can still call rock. Performers like Keith Emerson and Peter Gabriel know only how to shock and dazzle their audiences by using the synthesizer like a super-organ; disco and mainstream musicians have used electronics only to make the sounds of real instruments louder, more regular, or weirder...