Word: emerson
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HOLY HORATIO--The nineteenth century Harvard author who sold more copies of his works than Thoreau, Emerson, Parkman, Lowell, and Henry James combined was not a Transcendentalist. He was a Unitarian named "Holy" Horatio Alger Jr., so called because of his announced intention to follow his father's footsteps in the ministry. His 119 "rags-to-riches" novels--all with nearly the same plot--sold around 250,000,000 copies. No Harvard author to date has sold that many books...
...walk in certain patterns: the Lampoon's crazy island, whose wedge I always walk the long way round on my way home so as to pass the Starr bookstore and not the garbage cans; architectural features that define our perceptions, like the daises of lecture rooms in Sever or Emerson, on which the professor performs or presides in front of an audience made silent spectators by the very structure of the room. These things are so integral to the way we move and think that I do not bother to imagine a bedroom uninhibited by a fire door, a Cambridge...
...central problem with Lorenzo Mariani's direction is his mishandling of an obviously talented cast. Both Jonathan Epstein as Morell and Jonathan Emerson as Marchbanks deliver perfectly consistent, self-contained performances; unfortunately, the two characterizations are completely out of synch with each other. Epstein's Parson Morell partakes of the tragic stature of Pastor Manders in Ibsen's Ghosts, a part Epstein played last year. It is a moving, sympathetic portrayal, but its naturalism stands in uneasy contrast to Emerson's frenetic, histrionic, almost self-parodying Marchbanks. As the timid poet, Emerson shrinks, flinches and mugs...
...savior; on the other, Morell is elevated to almost tragic dimensions, while Marchbanks seems no more significant than his own self-characterization as "a little nervous disease." The hardest part of the production to stomach is Marchbanks' final epiphany; at the end, Epstein's Morell is convincingly desolated, but Emerson's poet appears no less...
...Marvin Barrett, is yet another variation on the same theme. Here, the part of the glittering mentor is played by Dexter Hillyer, a Midwestern-born artist who rose to fame in the 1920s as a chic illustrator. Hillyer is seen through the few but vivid memories of his godson Emerson Mercer. The stages of his life are marked by his shifting reactions to the older man-from youthful idolatry through later disappointment to, ultimately, a mature understanding and love...