Word: emersonian
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Dates: during 1970-1979
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...make it perfect for AM radio. Rod achieves an overdubbing effect early in the break by playing lines with both hands. The rest of the long break is characterized by a full sound on the organ; Argent builds by level to his climax, but does no without any (Keith) Emersonian flash or frenzy. Again, there's a smooth transition, featuring an echoed, insistent "Hold Your Head Up" chant, into the final chorus and verse...
...thing, sure, but it's also more than that. Rags's call to revolution is really more of a nostalgic attempt to return to the nineteenth century. It's a clarion call reverberating with notes of simplistic iconoclasm, Emersonian self-reliance, a Thoreauvian communion with the land, and, ironically enough, a championship of the small businessman. Spelt out in those terms, it's just not that revolutionary. More like Consciousness I in bell-bottoms. Which means that where Rags is at may be just about midway between the late Herbert Hoover and the early Yves St. Laurent...