Word: emett
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Dates: during 1940-1949
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Americans often wonder what the British see in Punch. But one steady Punch contributor who easily hurdles all transatlantic barriers of humor is shy, blond, 35-year-old Rowland Emett. Emett is a daft satiric cartoonist in the English tradition of Max Beerbohm and Edward Lear. He is the producer of a fine series of affectionate burlesques of the British wartime scene. He is also, first & foremost, a comic master of an internationally favorite theme-the railway...
...Rowland Emett's subtle railway fantasias are to Fontaine Fox's Toonerville Trolley as the music of Mozart is to that of Meyerbeer. Emett's railwaymen become involved in the most decided peculiarities of right-of-way (see cut}. One of Emett's railway carriages is blue with the exhalations of an American Indian sucking his calumet, a Chinese inhaling opium, an East Indian at his hookah and other assorted pipe addicts (the caption, in the mouths of two elderly ladies, is "Bother-it's a smoker!"). An Emett dining car, where rabbit...
...well to the right (". . . and my Italian prisoners put up the silo"). An enormous bomber roars low over a tiny cottage which, luckily, just fits between the bomber's mighty wheels ("I'm afraid we shall have to leave building the new wing until after the war"). Emett's capacity to embroider a theme with variations applies not only to railways but also to such other redoubtable English features as ear trumpets, bath chairs, lantern-slide lectures, and fair weather performances of A Midsummer Night's Dream on the vicarage lawn...