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...reputation five years before -was The Son of the Sheik, which grossed $2,500,000 after his death. Last year, Producer Joe Schenck's Art Cinema Corporation, which made the picture, sold the negative, along with some 30 other old cinema scraps, to an alert entrepreneur named Emil Jensen. Wary Mr. Jensen began operations by trying out The Son of the Sheik in Washington. When it broke all house records, he decided to invest a little money in reconditioning. With a musical score and a few elementary sound effects, the picture opened in Boston three weeks ago. By last...

Author: /time Magazine | Title: Cinema: The Old Pictures | 6/13/1938 | See Source »

ROOSEVELT - Emil Ludwig - Viking...

Author: /time Magazine | Title: Books: F. D. R. | 6/13/1938 | See Source »

...Wilbur Shaw, last year's winner; in 4 hr., 15 min., 58.40 sec., for an average of 117.200 m.p.h., which broke the record of 113.580 set by Shaw last year; before a crowd of 150,000; at Indianapolis. Of the 33 drivers who started, only 13 finished. One, Emil Andres of Chicago, wound up in a hospital after his car turned over three times and one of its wheels flew into the infield, killing a spectator perched atop a truck...

Author: /time Magazine | Title: Sport: Who Won, Jun. 6, 1938 | 6/6/1938 | See Source »

...famed Orpheus fountain in Stockholm was finished in 1936 by Carl Emil Andersson Milles, Sweden's greatest living sculptor. In 1931, in his third year as resident sculptor at Detroit's suburban Cranbrook Academy, Sculptor Milles met Alderman Aloe's widow in St. Louis and learned her desire for a group of fountains in Aloe Plaza. In 1936 Mrs. Aloe put up $12,500, the city of St. Louis put up $47,500, and Sculptor Milles was commissioned to do for St. Louis what he had done for Stockholm...

Author: /time Magazine | Title: Art: Important Wedding | 6/6/1938 | See Source »

...century dam. Nearest thing to Egyptian stone-carving is the work of modern sculptors who feel that if they could surpass its life-loaded repose they would touch the summit of their art. Appreciation of such forms is not purely abstract. Through the imaginations of writers as diverse as Emil Ludwig and Thomas Mann, the civilized life of the Nile has begun to intrigue common thought as Classic Greece intrigued it for centuries. In Never to Die, a neat, lucid book on Egyptian art and Egyptian writings, a little more dust is shined off the dynasties...

Author: /time Magazine | Title: Books: Utterances that are Strange | 6/6/1938 | See Source »

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