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...aging Emil Nolde became the only major German expressionist to join the Nazi Party. Much good it did him. For all his Frisian peasant conservatism, the Nazis soon called him a "degenerate" modern artist and stripped his works from German museums. In 1941, he was forbidden to sell his art or even to paint. At 73, Nolde retreated from Berlin to his summer home in Seebull, not far from his birthplace on the North Sea coast-but he did not stop painting. To his diary he revealed: "I still hold my head high, and only to you, my little pictures...

Author: /time Magazine | Title: Painting: Fulfilling Fear | 3/17/1967 | See Source »

...Emil Nolde, though, a subject was to a painter "as the instrument he handles is to the musician." He said that "colors are my notes, which I use to form harmonizing or contrasting sounds and chords." He usually began a watercolor by working paint onto a wet piece of paper with a bit of cotton until the colors blended into one another. After the colors dried, he would study the composition to see what unexpected subjects it suggested to him, then outline them, a practice he referred to as "passive painting." Nolde said that "my best pictures always came...

Author: /time Magazine | Title: Painting: Fulfilling Fear | 3/17/1967 | See Source »

Most of the auto workers are young men. These young men believe that their benefits have been "given" by the companies, not "won" for them through the solidarity of their unions and the battles of those workers who organized the industry during the 30's. Emil Mazey, Secretary-treasurer of the UAW has said these new men "don't know the difference between unionism and rheumatism." It is doubtful that Reuther and his social vision is any more appetizing to such a constituency than it is to his fellow union leaders...

Author: By Jonathan D. Asher, | Title: Reuther's Fight | 3/15/1967 | See Source »

Back in 1943, when bomb-torn Berlin started evacuating pregnant women to his East Prussian hospital, Dr. Emil Martens recklessly remarked to a colleague and fellow Nazi that Germany must be losing the war. The colleague...

Author: /time Magazine | Title: Foreign Law: Privacy for Nazis | 1/6/1967 | See Source »

CHINA by Emit Schulthess. 248 pages. Viking. $25. This opulent book of 165 splendid photographs, taken by Swiss-born Photojournalist Schulthess and supplemented by even-handed essays from Author Edgar Snow, German Journalist Harry Hamm and Professor Emil Egli, is about as close as most Americans will get to China this year. The photos, like China itself, seem timeless: men and women straining to haul boats upriver against a driving current, bent-backed peasants at labor in the fields, students planting trees, Mongolian horsemen racing across the steppe. And everywhere, plump wide-eyed children...

Author: /time Magazine | Title: Books: Holiday Hoard | 12/9/1966 | See Source »

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