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Friedberg's feat was to solve a problem, first posed by the late Emil Post of New York's City College in 1944, that has been baffling mathematicians ever since. The problem: Does each non-recursive, recursively enumerable set have the property that every recursively enumerable set is recursive in it? Post himself thought not, but it was not until young Friedberg came along that anyone had the proof...

Author: /time Magazine | Title: Education: The Prodigies | 3/19/1956 | See Source »

Tchaikovsky: Piano Concerto in B-Flat Minor (Emil Gilels; Chicago Symphony Orchestra, conducted by Fritz Reiner; Victor). Soviet Pianist Gilels in a splendid version of this oft-mauled work. With the driving assistance of one of the most effective orchestras in the U.S.. he turns in a performance that is always at the peak of expression, whether tender, fiery or aggressive...

Author: /time Magazine | Title: Music: New Records, Feb. 6, 1956 | 2/6/1956 | See Source »

Untouched by professional coaching. Dave Stephens has copied his style from the great Czech Emil Zatopek. During the World Youth Festival at Bucharest in 1953, the two men became friends. An unspectacular performer at Bucharest, Stephens came home and began to break Australian records right and left. Often the races were run in foul weather, and often Dave ran barefoot. He could not afford track shoes...

Author: /time Magazine | Title: Sport: Aussie on the Run | 1/2/1956 | See Source »

...roster of artists is impressive. In many cases the Angel touch has helped to make stars out of performers once little more than names in the U.S., notably Soprano Elisabeth Schwarzkopf, Conductor Herbert von Karajan with London's Philharmonia Orchestra, Russian Pianist Emil Gilels. Some record shoppers will buy the bright, cellophane-wrapped Angel albums for the label alone. Although Angel's sales are still well behind Victor and Columbia, the company now ranks fourth in classical LP sales (just behind London), and rival record executives have come to regard the muscle-flexing cherub nervously...

Author: /time Magazine | Title: Music: Angel at Two | 12/19/1955 | See Source »

...auctions must be willing to pay up to $25.000 for a painting. When the really big collectors decide to show their hands, the price can go over the $100.000 mark, as it did when France's Mme. Jean Walter paid $113.000 to outbid Swiss Gun Manufacturer Emil Buhrle for a Cezanne still life, Pommes et Biscuits, at the 1952 Gabriel Cognacq sale in Paris...

Author: /time Magazine | Title: Art: No Biz Like Art Biz | 12/5/1955 | See Source »

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