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The Courant is still published within a stone's throw of Founder Green's hand press. It is now ruled in its obituary policy and otherwise by sober, stamp-collecting Publisher Henry H. Conland, who joined the paper as an office boy 39 years ago, and Editor Maurice...

Author: /time Magazine | Title: The Press: Old Lady | 7/10/1939 | See Source »

Pegler left the American in 1915, worked three years on the Chicago Journal, where he broke in a couple of cubs named Lowell Thomas and Ben Hecht. In 1918 Pegler joined Terry Ramsaye in Manhattan to crash the moving picture business. Ramsaye stuck and became the historian of the industry...

Author: /time Magazine | Title: The Press: Pegler's Pa | 6/5/1939 | See Source »

To snort at the present and sigh for the good old days in characteristics of track fans as well as the G. O. P. Bill Bingham, Penn Hallowell, Jack Seborer, Emile Dubiel, Milt Green, Norm Cabbera--these have become legendary figures in the annals of Harvard track. And there is...

Author: By Spencer Kiew, | Title: Crimson Cinders Blessed With One Of The Best Harvard Track Contingents | 5/26/1939 | See Source »

Essentially two stories (in the picture, as in fact, Juárez and Maximilian never meet), Juárez is unified by its democratic theme, of which it is a picturesque and moving statement. Not a rich pageant of Central American guerrillas and gaiety like Viva Villa!, nor as searching...

Author: /time Magazine | Title: Cinema: The New Pictures: May 8, 1939 | 5/8/1939 | See Source »

No. 1 current trend in U. S. cinema is biography. Biographical cinema got off to a good start three years ago when Warner Bros. made The Story of Louis Pasteur, followed it with The Life of Emile Zola. At Twentieth Century-Fox, Darryl Zanuck played up the vogue with such...

Author: /time Magazine | Title: Cinema: Dancing Girl | 4/10/1939 | See Source »

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