Word: eminemã
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It’s probably a good sign that the feature seemed utterly irrelevant. What parent doesn’t already know about Eminem??s foul-mouthed verbal contortions and the whole Ruff Ryding suburban gangsta phenomenon? Never mind that hip hop has been, on and off, the leading artistic force in pop music for the past decade and a half. Never mind that Public Enemy and Timbaland have revolutionized our notions of musicality, that a multifaceted and vibrant youth culture has risen all over the world, and that fantastic new records are still released every couple...
...stage at the Wang Center on Oct. 15 was shrouded in black, hung with a curtain that was jaggedly pierced with holes and lit from behind. From offstage, Amos duskily murmured Eminem??s “’97 Bonnie and Clyde.” After frequently commenting in interviews that the drowned woman was invisible in the original version of the song, Amos’s implication was clear: She herself was nowhere to be found. Tension knotted the audience at each interval as they waited for her to appear, but the song ended without Amos?...
...piano work that recalls her early albums on “Real Men.” All of these interpretations places the emphasis on her eerie masterful banshee’s voice. The song that may well get the most attention, and with good reason, is her cover of Eminem??s “’97 Bonnie and Clyde”—a song that...
unnerving and spooky in Mr. Mather’s hands becomes a horror story in miniature. Amos, without needing to change Eminem??s lyrics, assumes instead the personalities of the murdered wife and bewildered child. Her falsetto refrain of, “Just the two of us” is so full of quiet menace and mourning that it becomes almost painful...