Word: eminently
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...Embassy there organizes summer programs on U.S. culture. In other corners of Europe, even where opinions of America are low, a desire to learn English and engage with the West is strong enough to attract students. According to Pew, only 12% of Turks view America positively. But, says Tanfer Emin Tunc, an assistant professor at Ankara's Hacettepe University, enrollment in the Department of American Culture and Literature has jumped 50% in three years: "We're having a very difficult time finding enough instructors to teach courses...
...British pavilion, which occupies what you might call a high ground of the Old World - France on its left, Germany on its right. But its brick and white marble neoclassicism, all those columns and balustrades, provides a framework too imposing for "Borrowed Light," a negligible show by Tracey Emin. Actually, "Borrowed Light" is several negligible shows, collected under a single umbrella. One consists of watercolors on lined notebook paper that Emin made in the early '90s, which grew out of her memories of an abortion. Those were produced not long after she graduated from art school, but before she became...
...even use art as an excuse for something like that. People like to complain that irony is the bane of 21st century culture, but don't forget sincerity. Emin's admirers say that her critics fail to understand that she's requiring us to confront and discard our fastidious disdain for sentimentality. After seeing this mawkish work, you'll want to hold on to that disdain...
...taking art too seriously," says Marie Jeanne de Rooij, curator of "De Overkant/Down Under." But like all good court jesters, Kesminas tells salient truths while poking fun-whether at art's over-reliance on theory in Paranoid (courtesy Black Sabbath), at the self-indulgence of Tracey Emin (to the tune of the Police's Roxanne) or at the preciousness of the German art scene (Children of Berlin, by way of Dire Straits' Sultans of Swing.) Says Kesminas, "The art world is really so small when it comes down...
...modern art museum? Designed to be sat and slept on rather than scrutinized, these textile treasures, which are typically stacked high to connote social standing, delightfully confound our expectations of contemporary art. So how does Finau Mara's exquisitely woven baby mat fit with, say, British artist Tracey Emin's unmade bed? It was exactly this outsider status that made the QAG's curator of contemporary Pacific art, Maud Page, excited about bringing such material into a gallery. As she puts it, "How can we deal with the rest of the Pacific in a meaningful way, and what could...