Word: emirs
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Dates: during 1980-1989
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From nowhere -- well, Yugoslavia, actually -- came one of the few entries to uphold the standard of defiantly indigenous "little" films, Emir Kusturica's Papa's Away on a Business Trip. A brutal, poignant, exuberant story of a family rent by political and sexual chicanery, Papa boasts nary a Hurt nor a Kinski among its actors, and earned every frond of Cannes's grand prize, the Palme...
...capital, a car bomb of unexplained origin killed 55 people and wounded 176. In Cairo, in the meantime, the Egyptian government announced that it had narrowly averted the car bombing of a diplomatic mission, presumed to be the U.S. embassy. And in Kuwait late last week, the ruling Emir, Sheik Jaber al Ahmed al Sabah, narrowly missed death when a car bomb exploded in his motorcade. The driver of the car, who was killed in the attack, apparently was a member of Islamic Jihad, the Shi'ite extremist group...
...Jaber traveled in a motorcade along a waterfront road on the way to his office at the Sief palace, a small Japanese-make car drove head-on into the convoy. The vehicle exploded, killing the driver, two guards in the convoy's two lead cars and a passerby. The Emir, who was traveling farther back in the motorcade, escaped with minor cuts. In a telephone statement, Islamic Jihad, or Islamic Holy War, claimed responsibility for the attack, and once again demanded the release of 17 terrorists being held in a Kuwaiti jail...
...political opinion. The question is whether or not one would defend to the death, or pay hard cash to hear, Goldie Hawn's. For as executive producer and star of Protocol, she posits the notion that to secure a strategic base in a mythical Arabian emirate, the U.S. Government would act as procurer for the pasha. As the Washington cocktail waitress who catches the Emir's eye when she saves him from assassination, Hawn has some good funny moments dealing with the celebrity that follows from her heroism. But Director Herbert Ross stages farce awkwardly, and Buck Henry must have...
...amusement has to do with unfortunate encounters between the foolish passengers, who like to believe that they have transcended the instinctual life, and the lower animal kingdom. There is, for example, the seagull that invades the dining salon, flapping everyone into hysteria. Then there is the matter of the Emir's pet rhinoceros, languishing in the hold and giving off a most unpleasant stench. Seasick, any reasonable person might suppose; lovesick, the opera crowd prefers to believe, bringing the beast into their own frame of reference. Would that the basso profundo could hypnotize the creature with his low tones...