Word: emma
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Dates: during 1950-1959
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Wrathfully, Catherine lectures her bullfighter: "You said the scum of Europe came to us, and perhaps they did, but the strong ones came first . . . well, there's a poem on the Statue of Liberty . . ." And sure enough, she quotes Emma Lazarus ("Give me your tired, your poor'') for five lines. Repentantly the torero discovers the real America: accepting the yanqui dollar, the moral seems to be, does not mean wearing the yanqui collar...
...whisper "Dear Alfred" at Tennyson's grave or "Dear Charles" at Dickens'-still less be urged to do so by an academic history? The fact is that though no two "Janeites" can ever agree on what words to use in venerating the author of Pride and Prejudice, Emma and Mansfield Park, none doubt that worship is indicated. Even rugged Rudyard Kipling imagined her being greeted in paradise by Fielding, Smollett, Cervantes and Shakespeare...
Following centuries-old tribal custom, the family called in a nidilniihi, a diagnostician who works by hand-trembling-but they fetched her in their own 1953 Chevrolet sedan. Diagnostician Emma Teller squatted at Mary's bedside, dusted corn pollen on her upturned right palm, made the zigzag lightning sign with her left forefinger and crooned a ritual chant. As she passed her hand over Mary's body, it began to tremble. From its motion (ni'dilniih) Emma concluded that Mary had somehow offended the Wind Spirits. Her prescription: a chishiji, a two-day sing...
...heard in the house. Wagner was performed in thunderous repetition, and the greatest soprano of the period, Lilli Lehmann, sang Carmen in German in her Met debut. But during the Met's "Golden Age of Song," at the turn of the century, Jean and Edouard de Reszke, Emma Eames, Lillian Nordica, Nellie Melba, et al. educated their audiences to hear Italian and French operas sung in their original languages. Still, educated or not, Guest Star Adelina Patti could stop the opera by singing Home, Sweet Home or The Last Rose of Summer in The Barber of Seville...
Battle of Monocles. In the third Covent Garden, designed 100 years ago by Architect Edward Barry, the fires have been artistic or temperamental, set by such prima donnas as Giulia Grisi, Nellie Melba, Emma Albani. In the '90s, Adelina Patti, who imperiously ignored rehearsals, once filled the stage with detectives disguised as supers to guard her diamonds. Famed Manager Augustus Harris made Covent Garden London's choicest nightspot for rich and royal patrons who came to monocle each other-and protested violently when he doused the house lights during performances...