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From bow to stroke, the following eight will launch Harvard's bid for world's championship, barring further pestilence: Mike Scully, Don Felt, Ted Reynolds, Dick Emmet, Taggart, Frank Strong, Paul Knaplund, and Bill Curwen. Sam Mantel will handle vocal duties from the stern...

Author: By Bayard Hooper, | Title: Gale's Injury Threatens Varsity Eight's First Bid | 4/22/1948 | See Source »

Since sentimentalists in great numbers are always among even such intelligent audiences as TIME'S readers, you have done me a great service by reviewing The Pursuit oj Robert Emmet [TIME, Feb. 23] as though it were a curl-up book suggestive of saccharin and Irish honey. For this I am truly and deeply grateful...

Author: /time Magazine | Title: Letters, Mar. 15, 1948 | 3/15/1948 | See Source »

...describe the book, which give a different impression from that conveyed by your reviewer. After all, one doesn't endure, for eight years, in exile, the difficulties which were a constant factor of my work on the book, just to embroider in emerald floss another portrait of Emmet suitable for use on a cuddly sofa cushion. It took guts and ingenuity even to stay in Ireland...

Author: /time Magazine | Title: Letters, Mar. 15, 1948 | 3/15/1948 | See Source »

...rest of the boat seems in no danger of being undermanned. Commencement robbed the Crimson of Captain Bob Stone and Stu Clark as well as Cunningham, and cox Al Petite. This leaves--reading from bow to stern--Mike Scully, Dick Emmet, Gale, Frank Strong, and Captain Paul Knaplund. There are gaps at the Two, four, stroke, and cox slots. The latter is not problem, for Jayvee taskmaster Sam King is due for promotion...

Author: By Charles W. Balley, | Title: Lining Them Up | 3/11/1948 | See Source »

...association with Brian Doherty) followed John Bull's Other Island as the Dublin Gate Theater's second Broadway offering. A highly expressionistic fantasy first produced in 1929, it tells of an actor (Micheál MacLiammoir) who is accidentally knocked unconscious while playing Irish Rebel Robert Emmet (1778-1803) in a costume play. The rest of The Old Lady consists of the actor's delirious visions: he is still Emmet, but an Emmet wandering through the streets and pubs and literary gatherings of a decadent modern Dublin...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Mar. 1, 1948 | 3/1/1948 | See Source »

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