Word: emo
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...other shows you want us to follow? Turns out you're now prioritizing that creepy soap about emo-looking vampires over Thursday night psets...
...latest, The Underground #2: Straight Ahead ... Back to Roots, is like its predecessor, a two-CD box set highlighting 11 local bands. And all of it - from the irrepressibly upbeat indie pop of Poubelle International to the zestful testosterone-fueled rock of the David Bowie Knives and the visceral emo stylings of all-girl band the Ember - is a laudable testament to the city's musical diversity. Granted, some of the listening experience lacks polish, not least because, in their zeal to forward the cause of Hong Kong music, the promoters have included two tracks from each...
...vocals are at their most grungy and guttural, while K.A.Z's fluid technical skill is showcased in endless fret-board runs. Their latest single, "Love Addict," epitomizes the sound with its barrage of power chords, senseless lyrics and throbbing drums. Barring a couple of diversions - the chart-friendly, emo paean "Evanescent," the wistful ballad "Sweet Dreams" - the album sticks to this no-frills template, which is no bad thing. All the hallmarks of classic J-rock are here, but amped up and hardened for a more streetwise generation...
...simply crafted couplets with the explosive intensity of a jarring guitar to boot. But if White Lies aren’t more careful with their limited repertoire of lyrical influences, they’ll soon find themselves one swipe of the black eyeliner away from being hurtled into emo obscurity. But on “Fifty On Our Foreheads,” this tendency to wax melancholic is superseded by pulsing snare and bass, which transitions from an unassuming introduction to an uplifting finale. Opening with a soothing interplay between the swirling tones of the omnipresent synthesizer and pacing drums...
...halfway mark, then “Daddy’s Gone” will be the one that hooks you. Starting with, “How you’re my hero / How you’re never here though,” this Emo-Motown ballad features the laments of a son thinking of his runaway dad. The content of the lyrics, the supporting synth, the old school, melancholic sound, and a booming chorus with James Allan shrieking, “He’s gone, he’s gone,” make this a thoroughly disarming...