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Word: emotionalize (lookup in dictionary) (lookup stats)
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But no, this film rings true. The grief Sarajevo experienced during more than three years of siege was immediate and constant; any attempt to milk it for excess emotion would have missed the mark in the worst possible way, and despite its heartrending story, Welcome to Sarajevo manages not to...

Author: /time Magazine | Title: CINEMA: THE WAY IT WAS | 12/1/1997 | See Source »

Dion seems to have adopted the sound that Mariah Carey abandoned several years back--that crushing, crashing, pomp-and-circumstance style that seeks to swallow the listener up in production and emotion. The main problem with Let's Talk About Love is that Dion's sense of dynamics is only...

Author: /time Magazine | Title: MUSIC: GOING FOR THE RAFTERS | 11/24/1997 | See Source »

Listening to Bolton sing is a little bit like how one imagines it must be to get chewed out by New York Jets football coach Bill Parcells--only with guitars. Bolton is one of those guys who, even when he's singing softly, SEEMS TO BE SINGING IN CAPITAL LETTERS...

Author: /time Magazine | Title: MUSIC: GOING FOR THE RAFTERS | 11/24/1997 | See Source »

Her music works in much the same way. On 32 Flavors, she covers a song by punk-folk singer Ani DiFranco, lending it an upbeat, pop-oriented grace. On the title track, Davis coasts into a relaxed jazz-jam mode. And then on Turtle, her voice arches above the chorus...

Author: /time Magazine | Title: MUSIC: GENTLE WATERS | 11/17/1997 | See Source »

Moreau provides the only spark of genuine emotion in the film. Through her recollections of the Holocaust, she brings to life a rich and deeply introspective character who, in building her relationship with Daisy, overcomes her own fears in order to help relieve her granddaughter's. Though too many of...

Author: By Soman S. Chainani, CONTRIBUTING WRITER | Title: No Saving This So-Called Screenplay | 11/14/1997 | See Source »

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