Word: emotionated
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Aranson's anger and intensity is believable, and his powerful voice overshadows the two younger actors. The character's compassion and occasional pangs of guilt are never realized, however. Leonard and Walker also have problems showing any sort of emotion other than apathy and disgust.
It is also funny. The character pick at each other endlessly, and argue over opera in unbelievably petty detail. They disparage various divas ("That Greek mezzo with the hair on her chest") and other opera buffs ("[Renata Tebaldi fans] are a mean little bunch") and occasionally show traces of real...
This act is weaker than the first. Husovsky and Dawson perform their parts well if unremarkably, and Bubriski remains strong. The problem mostly lies in the transition from "opera buffa" to "verismo tragedy," as McNally has labelled it. That contrast contains the play's power, but it also puts a...
Chrysler's second success story bodes well for its incoming management. The first comeback belonged almost exclusively to Chrysler's self-touting legend, Iacocca, who towed the company out of the wilderness in the early 1980s. The second was much more the victory of a management team that learned painful...
Clinton's voice cracked as he spoke, as much from exhaustion and his chronic voice fatigue as from emotion.