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...prefect of Bome is in a hurry to get rid of some Christians before the newly elected emperor, Constantine, can arrive and ease their plight. The prefect herds several hundred Christians from the catacombs to violent death before a packed Coliseum. Roman soldiers and gladiators chop off their hands, string them up by their thumbs and by their toes, and burn them alive. Then they unleash a pack of hungry lions, and the stands go wild. So do the lions. So does the movie audience. There hasn't been anything like it in cinema history. If only it were...

Author: By Andrew E. Norman, | Title: The Moviegoer | 5/29/1951 | See Source »

...Festival of Britain and the enthusiasm of the Religious Drama Society, churches all over England are opening their doors to plays and players, masterpieces of the Middle Ages are being revived, and new religious plays are being produced, among them Novelist-Playwright Dorothy L. Sayers' The Emperor Constantine...

Author: /time Magazine | Title: Religion: Miracle Play for Moderns | 5/28/1951 | See Source »

...glittering wife Evita, a 5 ft. 2, pale-skinned, dark-eyed, dazzling blonde of 32. Their man & wife dictatorship has few precedents. Some have compared it with the dual reign of Spain's Ferdinand & Isabella. Perhaps a closer parallel in history was established by the Eastern Roman Emperor Justinian, who married Theodora, onetime actress and reputedly the most beautiful woman in Byzantium, and enthroned her as co-ruler at his side...

Author: /time Magazine | Title: ARGENTINA: Love in Power | 5/21/1951 | See Source »

...Emperor's Nightingale (Rembrandt Films) is the Hans Christian Andersen fairy tale, enacted by puppets in the soft hues of Nu-Agfa Color. Produced in Czechoslovakia by Jiri Trnka, the U.S. version keeps the original film's excellent score, adds a well-written narration by Phyllis McGinley, spoken by Boris Karloff in a Dutch-uncle mood...

Author: /time Magazine | Title: Cinema: Import, may 21, 1951 | 5/21/1951 | See Source »

...unfolded in the dream of a little boy, the movie's tale is still Andersen's universally appealing parable of the ancient Chinese emperor who learned to value carefree nature above sterile pomp and artifice. It is told with a good deal of charm, taste and imagination. But it is also overlong and repetitious. How well its deliberate pace will hold U.S. youngsters, raised on Walt Disney's blur-of-action technique, is a question that only the children themselves can settle...

Author: /time Magazine | Title: Cinema: Import, may 21, 1951 | 5/21/1951 | See Source »

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