Word: emperors
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...brings heft to the small role of Anakin's mother; and Ian McDiarmid is all oily ingratiation as Senator Palpatine. Ah, Palpatine: his name could be a hill of Rome, or a palpitating volcano--one that we know will explode in later episodes as he devolves into the dark Emperor...
...memorable end title, as Luke and Leia watch Lando and Chewbacca fly into space to find Han and the music swells in the background. The Return of the Jedi is almost entirely action-oriented, with the brilliant exception of the dark choral work that accompanies the scenes of the Emperor...
...lack of energy. Quirky, dainty and mysterious themes abound, but there is little of the excitement of a "Battle of Yavin" from the original film or the track titled "Return of the Jedi" from that film's soundtrack. There is something that sounds suspiciously similar to "The Emperor's Theme" from Return of the Jedi, but I can't be entirely sure. Of course, the familiar Obi-Wan Kenobi/The Force theme is present from time to time; but they are mere gestures that haunt the soundtrack, which actually turns out being far more reminiscent of the music from the Indiana...
...memorable end title, as Luke and Leia watch Lando and Chewbacca fly into space to find Han and the music swells in the background. The Return of the Jedi is almost entirely action-oriented, with the brilliant exception of the dark choral work that accompanies the scenes of the Emperor...
...blow up a Death Star twice, but you better have a good reason. The first Star Wars trilogy, uneven as it might be, at least developed a story that grew and widened with each sequel. When Darth Vader bent to pick up the Emperor, taking a posture unprecedented in the previous movies, the meaningfulness of that moment rested on Vader's character development, which had been unfurled and complicated over the length of three feature films. It is this sort of meaningfulness that Star Wars: Episode I lacks. Instead of real character development, it relies on name recognition. At every...