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DIED. ROBERT BRESSON, 98, acclaimed film director whose emphasis on image over dialogue helped redefine French cinema; near Paris (see Eulogy).

Author: /time Magazine | Title: Milestones Dec. 31, 1999 | 12/31/1999 | See Source »

The tapes were meant to be their final word, to all those who had picked on them over the years, and to everyone who would come up with a theory about their inner demons. It is clear listening to them that Harris and Klebold were not just having trouble with...

Author: /time Magazine | Title: The Columbine Tapes: The Columbine Tapes | 12/20/1999 | See Source »

All summer, principal Frank DeAngelis has been listening. He spent July and August serving on two school-safety task forces, reviewing everything from metal detectors to dress codes to having four or five armed officers patrol school grounds. "I'm not sure if that's the answer," says DeAngelis. "I...

Author: /time Magazine | Title: The Columbine Tapes: The Victims: Never Again | 12/20/1999 | See Source »

The newly expanded role of Peter Smith-Kingsley, a British playmate for Tom who enters in the late stages of the film, puts a whole new spin on Tom's movement into his new world. While the acting is uniformly fine, the prize of the hour goes to newcomer Jack...

Author: By Jared S. White, CRIMSON STAFF WRITER | Title: Doom with a View -- Sexual Confusion! Serial Muder! All in the life of The Talented Mr.Ripley | 12/17/1999 | See Source »

Finally, Glengarry is a difficult piece to achieve because of its self-conscious themes. It is a play about taking control, about manipulation, about struggling to survive. Ruiz uses visual symbols and characterization to avoid a potential pitfall in this essential part of the production. The hunger for money and...

Author: By By JULIE L. rattey, CONTRIBUTING WRITER | Title: Glengarry: Not A World of Men--Ruiz assembles power cast in Kronauer space | 12/17/1999 | See Source »

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