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This emphasis demonstrates Quraeshi’s nuanced approach to Islamic culture; her rejection of broad categorizations and the accentuation of the personal in her art sensitize her viewers to the complexities of an important world religion. Ultimately, this even-handed approach—balancing accessibility with personal aesthetic value?...

Author: By Meredith S. Steuer | Title: Middle Ground | 10/30/2009 | See Source »

The madness of the French Revolution and the madness of the everyday overlap and intertwine in “Marat/Sade,” the Harvard Radcliffe Dramatic Club’s production of Peter Weiss’ 1963 play, “The Persecution and Assassination of Jean Paul Marat...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: Crazy for A Revolution | 10/30/2009 | See Source »

Originally in German, Weiss’ play saw its first English production in 1964, when it was taken up by the Royal Shakespeare Company under the direction of Peter Brook. According to director James M. Leaf ’09-’10, this production had served as a...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: Crazy for A Revolution | 10/30/2009 | See Source »

On the other hand, very little of the Contract with America ever made it into law. And Cantor's four issues are hardly the sweeping small-government manifesto that the Contract with America embodied. The Virginia Representative is starting small, searching out building blocks on which all Republicans - moderate and...

Author: /time Magazine | Title: How the GOP Hopes to Overcome 'Party of No' | 10/29/2009 | See Source »

The loaned pieces are featured in the exhibition "Harmony and Integrity: The Yongzheng Emperor and His Times," and are on show at Taipei's National Palace Museum, www.npm.gov.tw, until Jan. 10, together with two pieces from the Shanghai Museum and 207 from the Taiwan vaults. While one doesn't want...

Author: /time Magazine | Title: On Show at Taipei's National Palace Museum | 10/29/2009 | See Source »

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