Word: employs
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Dates: during 1960-1969
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...Employ a black admissions officer [One senior has already applied for the post...
...York, IBM disclosed plans for a plant to make computer cables in Brooklyn's Bedford-Stuyvesant slum; starting within two months, the factory will employ 300 workers, mostly unskilled, by the end of 1969. Planning is already far advanced, under the federal model-cities program, for something like 4,000 much-needed housing units in Bedford-Stuyvesant and other slum areas of New York. Earlier this month, the Fairchild Hiller Corp., working with a black community group, opened the doors of the new Fairmicco Corp. in Washington's Shaw area. Eventually, Fairmicco, which will turn out such products...
Sympathetic Strings. It is an honor without much glory. In an industry devoted to the visual, his contribution is almost academic. Most major programs employ legions of assistant directors and cameramen, but Cole labors alone in the isolation of the sound booth, grappling with problems such as how to ceep the sympathetic strings of a sitar Tom vibrating to the twangs of a nearby banjo. What makes many talented audio engineers defect to the technical haven of the recording companies is the frustrating acoustical conditions of the TV studios. Aswarm with crewmen, performers, musicians, cameras, cables, dollies, cranes, lights...
Numerous experiments under Harvard's auspices employ human subjects. Many are in psychology and the other social sciences, but there are others in the physical sciences and biology. Such experiments raise a host of complicated ethical, legal, political and humanistic issues. Research is a cornerstone of large universities, but experimenters who use humans may cause damage, unlike the harmless academics who warm seats somewhere in Widener. By raising questions which demand examination, human experimentation limits the classic unfettered freedom of academic research...
Would-be actors resent finding themselves employed as objects, and the only consolation I can offer is that they have nonetheless played a major part in an intensely personal, equally harrowing, romance between the film-maker and what his mind projects through a camera onto a screen. Both films employ the simplest dramatic premises as foundation for an exploration into the diverse often-abstract preoccupations of their auteurs. Both Lady Jane and Stranger are as much about their creators as their subjects. They prove if nothing else, that the films of people whose cameras are too small for anyone...