Word: emprisoning
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Dates: during 1970-1970
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...recognize the implications of Chekhov's realism. His is a compassionate realism, which goes beyond categories of hope, dread, and anger, to study the reticulating recesses of self-delusion, the vicissitudes of the self-circling, sensitive, introspective mind. The technique of his drama is to show how complex people emprison their souls through the processes of self-consciousness, enclosing themselves into half-perceived mausoleums of hope and fear. What renders this so complex is that Chekhov displays his people without reference to idea, but only to the organic progress of their personalities in pressure against one another. As we listen...
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