Search Details

Word: ende (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...want to give people in the movement an opportunity to consolidate their analysis of American society and to talk to people," Daniel S. Gilbarg, and Education School student and an organizer of the course, said. "At the end of the summer, we will also examine various tactics for the student movement and suggestions about where to go from here," he said...

Author: NO WRITER ATTRIBUTED | Title: Boston Radical Movement School Brings Out 200 College Students | 7/15/1969 | See Source »

...main irony of the film that the men who so desperately try to establish an identity through their collective action become overwhelmed by it. Peckinpah's vision of battle is total chaos. Uncompleted zooms are followed by cuts to entirely unrelated images. Pursurers are confused with pursued. At the end we are left with nothing but a sense of the beauty...

Author: By Terry CURTIS Fox, | Title: Grit | 7/15/1969 | See Source »

...trapping the three principals. It brings us closer to blood which, after all, is the fundamental element of life. It is not, as the final track to a high angle demonstrates, a liberating force. This force of beauty is one which will not let go. At the end of the film Holden and Borgnine are dead and Ryan is left to become part of a revolution which has no meaning...

Author: By Terry CURTIS Fox, | Title: Grit | 7/15/1969 | See Source »

...only a black Protestant(the phrase, dating back before the '54 desegregation decision refers to one's soul, not his race), only one of their kind could quibble with the show's numerous song and dance numbers. If this review were to mention all the good ones, it would end up becoming a Rabelaisian shopping list. Terrence Currier--who too often seemed to underplay his being the play's resident skeptic--unleashes a good, old-fashioned tenor. Ted D'Arms as Monsewer, an English anglophobe (a part almost too small for the amount of good things he puts into...

Author: By Grego J. Kilday, | Title: The Hostage | 7/15/1969 | See Source »

...mistress, Sheila Hart is in character as a woman (Meg) relaxed and yet confident as she consciously plays ringmaster to the living theatre that is her brothel. In just a few seconds, she similarly includes the audience in her barrage of insults and confidences. Her bitter ballad near the end of the second act, where she is backed by the male members of the cast, is simultaneously heartbreaking and triumphant, and I'm sure that if I were more of an Irishman it would have brought me pretty close to tears...

Author: By Grego J. Kilday, | Title: The Hostage | 7/15/1969 | See Source »

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