Word: ende
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Dates: during 1960-1969
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...plan yielded little drama and few new answers, but it made nearly all the old questions negotiable. It provided a cautious one-year timetable for ending the Viet Nam war, but assured Americans that no one expected their "unlimited patience" in bringing an end to the longest war in U.S. history. Almost every careful statement became a suit for good faith from two wary audiences: the Communist leadership in Viet Nam and the U.S. public. Between them-and under intense pressure from both-stood Richard Nixon. Last week he addressed those two groups in his first comprehensive statement...
...offered only part of what he may eventually find necessary to put up. Even so, given its conciliatory tone and highly flexible sub stance, the Nixon plan had an almost immediate effect on the Paris peace talks. After formally presenting the message to Communist negotiators at week's end, Henry Cabot Lodge could make the optimistic announcement that, despite initial criticism, the other side gave "every indication" of willingness to bargain on Washington's proposals. In a still more heartening move, North Vietnamese negotiators agreed to meet secretly with the U.S. prior to this week's session...
...most fitting end to a superb season, Harvard's tennis team elected junior Clarke Kawakami, one of the most representative members of a spirited, resilient squad, as its captain for next season...
English teenagers mobbed him, trying to touch him, to see his face, to hear his voice. He played before packed concert halls, mesmerizing huge audiences with the simple, lyrical beauty of his horn, receiving wildly enthusiastic ovations at the end of each number. What was the magic of this frail little black man from the back streets of New Orleans? What was there in his music that spoke its message to the hearts of these Englishmen, Swedes, Danes, Germans, and Japanese as it had spoken to his own people for almost 50 years...
...defined path by invisible walls. To return to our last reel of Shark Island, when Mudd wakes up the cannoneers, they bolt into sitting position on their bunks in unison, as if a single string controlled them all; the sense of formation is carried through to the end when the prison commander and his men visit Mudd in the hospital--they enter the room in military formation, although a realistic dramatic context would render this unnecessary. Ford's universe is highly structured. The symmetries and orders he creates for his characters have such rightness that individual characters assume more force...