Word: ende
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Dates: during 1970-1979
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...even admit there's a joke at all. The playroom innocence of Kaufman's live show is a touch indulgent, almost always inspired. Sometimes at the beginning, a pretty girl comes out with an invitation to milk and cookies, a promise made good at show's end, when the entire audience is conveyed by bus to a snack with the star. But it is in Tony Clifton, with his crass, abusive desperation, that Kaufman may have found his strongest comic voice. A distant cousin to Lenny Bruce's abrasive small-timer bombing at the London Palladium...
...Tony doppelgänger appears beside Andy to take bows at the end of the show. Kaufman insists Clifton is a real person he once mimicked, who is now appearing in person. "Everyone thinks he's me," Kaufman says. "It's really destroying Tony's career." It is clear that Kaufman's comedy in every incarnation is like a full-dress masque that sets new rules, tests new limits. "I never told a joke in my life," he says, with pride. The essence of his gift, the full range of his promise, is just this simple...
Will it heal and redeem her? At play's end it is too early to tell. But it is not too early to know that Susan Kingsley is giving one of the memorable performances of the season. Her Arlene is more than brilliant acting; it is a revelation of the human spirit in extremis. Pamela Reed's Arlie has a stinging honesty that stems, in part, from never prettifying a particularly loathsome brat. Getting Out, Marsha Norman's first play, was initially staged at Jon Jory's Actors Theater of Louisville, and had a brief...
...postwar America, Billy Graham delivered a somewhat mellower, suburban version of revivalist hellfire. "In the end," writes Biographer Marshall Frady, "it was somehow an oddly denatured variety of the harsh vinegars of frontier Calvinism -reconstituted into a kind of mild, mass-consumption commodity, a freeze-dried instant sanctity, a rather sensible and efficient salvation." Graham's ministry transcended the traditional churchly limits. The things of God and the things of Caesar became intermixed. Graham's soul seemed to resonate in exact sympathy with the politics, culture and morale of his constituency. He ascended to world celebrity, almost always...
...doddering British commanders fatally underestimate the Japanese advance. Rubber barons regard war as "only a passing phase in business life." The womenfolk while away blackouts at movies like The Lady from Cheyenne and cavort at the beach as bombs fall across the bay. In the end, Singapore is a hallucinatory panorama of burning buildings, crossed telephone lines and panicky scrambles to get aboard any departing boat. It is a rich and poignant chronicle, and Farrell has researched it down to the last palm-oil statistic. If only he had been content to write history instead of fiction. For the book...