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Word: ende (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Carter mistakenly sees decontrol as an end in itself, rather than as a starting point for a broader energy policy. Convinced of the merits of decontrol, Carter did not link decontrol and his windfall profits tax; this may cost consumers $32 billion over the next two years, while producing only limited energy savings. Under a comprehensive windfall profits tax, that money could go to relief for the poor, funding for new energy programs and--for those profits oil companies would be allowed to retain--investment in domestic oil production. Carter's proposed tax, however, is much too weak, providing insufficient...

Author: NO WRITER ATTRIBUTED | Title: Decontrol: A Timid Step | 4/28/1979 | See Source »

...only shot," answered fifth year mentor Bob Scalise with a confident grin, on the eve of the laxmen's toughest exam since the end of the first semester...

Author: By Robert Grady, | Title: Laxmen to Face Tigers Today, Seek Eighth Straight Victory | 4/28/1979 | See Source »

After a particularly frustrating point during his three-set loss to Harvard's Scott Walker yesterday at Palmer-Dixon, Brown's Phil Diaz yelled a self-deprecating "Turkey" at the top of his lungs. By the end of the match Diaz and his Bruin teammates were stuffed as big as a Thanksgiving capon by the Crimson who trounced them...

Author: By Stephen A. Herzenberg, | Title: Netmen Destroy Bruins, 8-1 | 4/28/1979 | See Source »

...seesaw second set wound its way to 4-4 at the end of a tie-breaker before Walker netted a backhand slice to tie the match at one set apiece. Walker next dropped to 1-4 in the final set, helping Diaz by serving several double-faults. Then Walker got serious...

Author: By Stephen A. Herzenberg, | Title: Netmen Destroy Bruins, 8-1 | 4/28/1979 | See Source »

...Shaw's light-hearted pandemonium and his apocalyptic vision of a new European class consciousness. Although the characters in Heartbreak House loosely represent symbolic roles in English society, they consistently refuse to be stereotyped. As the play progresses, each character develops, gradually revealing more and more depth. In the end, Shaw's portraits remain ambiguous and a challenge to decipher, leaving nuances of their portrayal up to the discretion of the director and actors...

Author: By Peter M. Engel, | Title: Heartbreak Hilarity | 4/27/1979 | See Source »

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