Word: ende
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Dates: during 1980-1989
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...gather two ends to pick up the middle. On one end, we've worked to create a viable pool of candidates who are qualified now to take over a managerial or front-office position. On the other end, we're bringing younger minorities and women who are not advanced in their careers into lower-echelon positions within a sports organization. The idea is to get them into the loop, learning the business and moving up through the system and into the comfort zone of those who do the hiring. The individuals who tend to be hired are usually those known...
...fact, the keyboards combine the challenge of a computer and a Steinway grand yet are relatively easy to use. The boards can produce a dazzling range of musical effects, sounding jazzy or elegant at the flick of a button or a switch. And though top-end pro keyboards can cost upwards of $3,000, general consumer models for the "hobbyist" market usually go for a couple of hundred dollars. Besides having model numbers that make them sound like racing cars, boards like the Yamaha DX7IIFD look like the instrument panel of a new Ferrari prototype. The Roland...
...Still, the concert's packager, Showtime Event Television, is pursuing other big stars for PPV events, and industry executives are bullish. "We're building an electronic arena," says Jeffrey Reiss, chairman of Request Television. "The day will come when Bruce Springsteen will be playing pay-per-view at the end of his tour. We're betting on the future...
...Broadway souffles like On Your Toes, and ballet master George Balanchine was staging On Your Toes' novel Slaughter on Tenth Avenue. Mr. A. and Mr. B., as they were known, would be Robbins' mentors. In 1940 he danced in the Balanchine show Keep Off the Grass, and at the end of the decade, he joined Balanchine's New York City Ballet (today he is one of two ballet masters in chief). In 1944 he expanded his ballet Fancy Free into On the Town, which Abbott directed. Betty Comden, the show's coauthor, recalls the young Robbins: "He was wonderful looking...
Thus some of Rushdie's detractors can now say that a symmetrical justice has been served: those who court fame end up with infamy. The man who notoriously abandoned the longtime editor who backed him for more than a decade in order to get a contract of roughly $1 million has now got a $1 million contract on his head. And in the same breath as he became a household name, Rushdie has become a missing person. Almost worst of all, for a writer, his work of the imagination -- and an exceptionally complex work of an uncommonly fertile imagination...