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Word: ende (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...degrees F Jordanian sun on the first day of shooting, he recalls, "it was so hot it hurt. But within a month I adjusted. I knew it would be as much an adventure as a film, and it was my business to see it through to the end...

Author: /time Magazine | Title: Cinema: Peter O'Toole's Yardstick | 2/6/1989 | See Source »

...teacher. "David doesn't play God," he says, "or if he does, he shares his godship. There wasn't a setup that he didn't invite me to look at through the camera. When he was editing, I'd sit on the cutting-room floor, watching." And at the end of the adventure, "we were shooting the last scene, and I was sitting in the jeep with my feet in a bucket of ice because it was so hot. David just shot it and shot it and shot it. He was amazingly reluctant...

Author: /time Magazine | Title: Cinema: Peter O'Toole's Yardstick | 2/6/1989 | See Source »

...life has been "either a wedding or a wake." The decades since Lawrence have given him opportunities for both: some scintillating screen achievements (Lord Jim, The Ruling Class, My Favorite Year) and the squiffy, self-parodying grandeur of so many talk-show turns and his West End Macbeth...

Author: /time Magazine | Title: Cinema: Peter O'Toole's Yardstick | 2/6/1989 | See Source »

...fact, the markup on black-market firearms is not bad. A .357-cal. magnum that sells for $250 in a Dallas gun shop will bring $700 on the streets of New York. Just $300 will buy a semiautomatic in Florida, which can be sold at the Northern end of the pipeline for $1,000 or more...

Author: /time Magazine | Title: Running Guns up the Interstate | 2/6/1989 | See Source »

Most vintage Dali was painted before his 35th birthday in 1939. In these canvases, like the familiar The Persistence of Memory, 1931, we are looking down the wrong end of the telescope at a brilliant, clear, shrunken and poisoned world whose deep mannerist perspective and sharp patches of shadow invite the eye but not the body. One could not imagine walking on that stretched, satiny beach among the oozing watches. This atmosphere of voyeurism lent force to Dali's obsessive imagery of impotence, violence and guilt...

Author: /time Magazine | Title: Art: Salvadore Dali,The Embarrassing Genius | 2/6/1989 | See Source »

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