Word: ende
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Dates: during 1990-1999
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...Bendrix and Sarah assure each other (and the viewer) that their relationship is built around a profound love. But we barely even see them chat; the film's only way of investigating the seriousness of the relationship is via the physical act of love--and in this sense, The End of the Affair has love to spare. Rarely in an American film has sex been depicted with such frankness and frequency. Crotches are grabbed, hips are rhythmically thrust and even Ralph's pale, well-formed bottom makes an extended appearance. But something is amiss in these scenes...
...Neil Jordan is not a consistent director, but good or bad, his work is never ordinary. Though his last film, the turgid and painfully overwrought In Dreams, was a disaster, there have always been elements of greatness embedded in his work, and The End of the Affair is no exception. It's unfortunate that the film, like many others in the Jordan oeuvre, adds up to less than the sum of its parts...
...Whoever we end up playing in the second game, the press break is very important," Johnson said...
Today, though, Jordan is far more interested in discussing his newest feature, The End of the Affair, an adaptation of a Graham Greene novel, starring Ralph Fiennes, Julianne Moore and Jordan favorite Stephen Rea. When it's pointed out that Rea has appeared in eight out of his ten films, Jordan deadpans, "Well, I owe him an awful lot of money from a bet years ago." When pressed on why Rea was right for the part of Henry, the film's jilted husband, Jordan replies, "I needed a strong and incredibly subtle actor for that. It's not an attractive...
...Jordan not only directed The End of the Affair, but wrote the adaptation of the Greene novel himself. "[The novel] has a combination of eroticism and spirituality I thought was fascinating" The themes that he explored through this love affair--he pushed the idea of commitment, and the idea of possession, and the idea of affection to such an extreme that you can touch on other areas that love stories don't often touch on. [Greene is] a great novelist of character, and he's kind of pitiless-he observes them at their worst and their best...