Word: ended
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Dates: during 1930-1939
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...night by roaring red dynamite, a man crawling back through the grass to an aid station-they were as nothing compared to what could & would take place when one side or other turned loose its full offensive power. When & where that offensive would come remained inscrutable at the end of the war's third week, but major stirrings and preparations, monstrous massing of men on both sides, boded cataclysm soon...
...third week ended, the French reported severe German counterattacks on the Blies Valley salient to relieve French pressure on Zweibrücken. A mass of fast light German tanks was said to have been smashed up at the French wire by anti-tank fire, the wreckage of 20 of them blocking the passage of heavier German tanks. German counterattacks in the Bienwald east of Bitche were evidently more successful. At the northwest end of the line, the French advance from Perl in the direction of Trier progressed yard by yard. Then, this week, along the 80-mile Rhine front from...
...show business, the barter idea sounded as crackbrained as opening a theatre at the bottom of a well. But farmers, housewives and hillbillies hitched up their wagons, armloaded themselves with victuals, and drove to town. All summer the actors ate hearty, and at summer's end the Barter Theatre showed a profit of $4.30 and two barrels of jelly...
After closing all London shows when war began, the British Government fortnight ago announced that theatres more than a mile and a half from London's West End could stay open until 10 p. m. Instantly members of the leftwing, nose-thumbing Unity Theatre Club-whose Babes in the Wood last winter razzed "Wicked Uncle" Chamberlain-laid down a tape measure, found that their playhouse lay just outside the proscribed area. Next instant song & lyric writers rolled up their shirt sleeves, sweated for 36 hours on end, turned out a Sandbag Follies in 20 scenes, which opened last week...
Journey's End (by R. C. Sherriff; produced by Leonard Sillman). Broadway's 1939-40 season opened last week extremely late but extremely aptly: with a revival of one of the two most famous plays (the other: What Price Glory?) about World War I. But despite its timeliness, to most Broadway critics Journey's End seemed much less remarkable than when first produced here ten years ago. Contrasted with the millions now in arms all over Europe, a handful of British officers quaking in a 1918 dugout seemed inexpressive, minuscule...