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...twenty-first century, Harvard must make arts an integral part of the cognitive life of the university: for along with the sciences and the humanities, the arts—as they are both experienced and practiced—are irreplaceable instruments of knowledge...” To this end, the Harvard Arts Initiative is presenting the event “Art-making=Risk-taking” this Thursday in the Ticknor Lounge at Boylston Hall from 3 to 5 p.m. This event is the culmination of a months-long attempt to maximize the presence of the arts in Harvard classrooms...
...happens often today, Westward positions himself for the opportunistic memoir, the “tell-all” of the title. At this point, Palahniuk proves he still has the incredible ability to build suspense and surprise his reader with twists, though the story moves toward a fairly predictable end, given his hints earlier in the novel. The book ends with Palahniuk’s penchant for the macabre, though there is a redeeming twist or two in a fashion typical of his writing...
After an application process in the fall, the freshmen involved in FACES spent much of the second semester participating in what Sullivan calls “community-building arts workshops,” creating work to be presented at the Arts First showcase. The end product will be a unique event, according to Sullivan: “It will be a multimedia living art exhibit of music, acrobatics, photography, film, painting, and live performance exploring the concept of identity...
...Harvard approach to student life is motivated by a strong individualism that enervates attempts to establish a community, since the idea of community requires that each of us not make college life “whatever you choose it to be” and instead identify a common end as worth pursuing, whether that’s in or outside of the classroom. It’s for this reason that college undergraduates are no wiser than prefrosh—spending time here doesn’t really tell each individual what Harvard life is all about. Instead...
...intense rehearsals for which Marvin is known. Even the lengthiest rehearsals are rendered bearable by Marvin’s fierce energy and ridiculous teaching-phrases, known as Marvinisms. The singers collect these bizarre phrases in their music, send them out over email chains, and eventually create year-end books with pages devoted to them...