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Director Werner Herzog - the man behind the Oscar-nominated Antarctica documentary Encounters at the End of the World - has cultivated a loyal band of admirers over the span of five decades behind the camera. Perhaps the single most striking image of his career is that of a steamboat being pushed and pulled through a dense Peruvian jungle, from his 1982 epic, Fitzcarraldo - a physical feat that was filmed on location without the aid of special effects. It was a virtuoso climax to an all-but-impossible film shoot - a two-year journey into the jungle that found Herzog drained...
...going at the end or at the top of an article it can be 500x335 as long as it's not going to be next to the article tools...
...albums in various forms, says Mottola. The unreleased material, for example, should be extensive due to Jackson's prolific recording and legendary perfectionism. In the studio, Jackson "absolutely" over-recorded for all of his iconic albums, says the former Sony head. "Let's say 12 or 13 songs end up on the album; Michael could have possibly recorded 15, 20 or 30 songs," says Mottola. "This would probably go for every album he recorded and probably pre-dating [Sony] to his Motown days." (Read "What Happened to Michael Jackson's Millions...
...film, the picture gains in gradations of night shades but loses in visual clarity. Some shots look like iPhone photos enlarged to 50 feet; any sharp camera movement results in a blur. The same has to be said for the movie. It lacks overall focus, and at the end you may have a question for Michael Mann: Why'd you bother...
...after his Tonight career, and when he fell on well-publicized financial hard times recently, McMahon was willing to poke fun at himself, spoofing his troubles this year in a Super Bowl ad for Cash4Gold.com You gotta laugh: that was the message McMahon sent to the public through the end. And though he made a career of his laugh--that big, booming, avuncular laugh--it is to Ed McMahon's credit that he never made it seem like work...