Word: ending
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Dates: during 1970-1979
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...end, tough boxing-out and not-so-subtle elbows carried St. Joseph...
...nearer the audience would have been a nice touch. The lighting was properly dim, but the frequent blackouts for scene changes were too stark, too sudden, t.v.-like, often disturbing the sense of a flow of dream images. Finally, Williams' script calls for fiddle music at the beginning and end of the play, framing it in a Southern, story-telling manner but also providing an old-fashioned whine, a tug into the heart of this play and a sorrowful serenade at the finish. There is sometimes a brusqueness to this production that contrasts with the warmth and intimacy...
...started as if it were nothing. Just two red buses; maybe 150 people. They got out and started milling around the big iron gates. They chanted anti-Carter slogans, threw a few rocks over the red brick wall, got back in the buses and drove away. End of demo. I was headed for the cafeteria, and Embassy Political Officer Herb Hagerty called out, "Save me a seat, I'll be right there." He never made it. It was a few minutes later, about 1p.m., that the buses returned, this time six of them. They were crammed with people, both...
...hostages were sometimes bound to the chairs they sat in, or occasionally hand and foot. They tried to while away the hours by reading. In the beginning some hostages were blindfolded for days on end, and later guards capriciously bound the eyes of some again. On one occasion, the Iranian female guards watching the American women took away all books, though they gave them back when the Americans protested. With nothing to do, and kept immobile, the hostages spent hours thinking about the next meal, which meant both relief from hunger induced by boredom and freedom to move their arms...
...week's end only 285 of these had agreed to go back to Iran without fighting the proceedings...